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Karen Finley: The Reality Shows
April 2, 2011
"We should be asking that question--we should be looking at how we are going to fund culture..." says performance artist Karen Finley, whose lawsuit against the National Endowment for the Arts made her into a national icon against her will after her grant was denied on the basis of the subject matter of her art. In her new book, The Reality Shows, and in her performances, Finley takes on different personae to explore traumas, and teaches people to get in touch with their own experiences.
Karen Finley, My Perestroika, and Lee Camp
April 1, 2011
"I think that we're in a society where art still is threatening, but at some point I think that we can look at when art is still being questioned or being sanctioned or being funded, then we need to look at that work that is being deliberated over because it's speaking to something that is happening in culture," says performance artist Karen Finley, whose lawsuit against the National Endowment for the Arts made her into a national icon against her will after her grant was denied on the basis of the subject matter of her art. In her new book, The Reality Shows, and in her performances, Finley takes on different personae to explore traumas, and teaches people to get in touch with their own experiences.
James Baldwin, Queen of the Sun, and Alice Mizrachi
February 18, 2011
"The paradox of education is precisely this -- that as one begins to become conscious one begins to examine the society in which he is being educated." James Baldwin wrote that in 1963, but as we watch teachers and their students leading pro-labor protests in Wisconsin and around the country, it remains truer than ever. Baldwin died in 1987, but his novels and essays--and his activism--live on. This week at NYU, a conference examining Baldwin's work and influence in today's globalized world is meeting, and Laura sat down with two of the speakers, Hortense Spillers and Darryl Pinckney, to discuss why Baldwin's work still feels so vital, so important.
Alice Mizrachi: Artist's Responsibility
February 18, 2011
Alice Mizrachi isn't just an artist--she's a community organizer, too. A graduate of the Parsons School of Design, Mizrachi's shown her work around the world, and yet her favorite canvas is New York's walls. Mizrachi's built a global network of women artists as co-director of the Younity Arts Collective, and now she's working with young people. This piece was produced by Rebecca McDonald, and special thanks to Noisemaker Media for the music.
Edwidge Danticat: Create Dangerously
January 29, 2011
"Writing is nothing like dying in, for, and possibly with, your country," writes novelist and essayist Edwidge Danticat in her book Create Dangerously: The Immigrant Artist at Work. But writing and creating can inspire action, whether it's revolution in the streets or simply managing to survive under seemingly hopeless circumstances.
Edwidge Danticat, Howard Zinn, and John Nichols
January 28, 2011
"Writing is nothing like dying in, for, and possibly with, your country," writes novelist and essayist Edwidge Danticat in her book Create Dangerously: The Immigrant Artist at Work. But writing and creating can inspire action, whether it's revolution in the streets or simply managing to survive under seemingly hopeless circumstances.
Best of 2010: Philippe Petit, Mountains that Take Wing, Tracie Morris
December 30, 2010
Continuing our look back at some of our favorite interviews of 2010, we hope you'll enjoy this very special one. Philippe Petit is probably best known for walking on a high wire suspended between the Twin Towers of the World Trade Center in 1974. He was arrested as soon as he came off the wire, but his act was captured in the Academy Award-winning film Man on Wire. Petit has continued to perform on the high wire, as well as to draw, teach, and to challenge himself constantly. "If you are not taunted by artistic challenge at least once a day you're dead," he says.
Philippe Petit: Somebody Has to Trespass
December 24, 2010
Philippe Petit is probably best known for walking on a tightrope suspended between the Twin Towers of the World Trade Center in 1974. He was arrested as soon as he came off the wire, but his act was captured in the Academy Award-winning film Man on Wire. Petit has continued to perform on the high wire, as well as to draw, teach, and to challenge himself constantly. "If you are not taunted by artistic challenge at least once a day you're dead," he says.
Philippe Petit, Mountains That Take Wing, and Tracie Morris
December 23, 2010
Philippe Petit is probably best known for walking on a tightrope suspended between the Twin Towers of the World Trade Center in 1974. He was arrested as soon as he came off the wire, but his act was captured in the Academy Award-winning film Man on Wire. Petit has continued to perform on the high wire, as well as to draw, teach, and to challenge himself constantly. "If you are not taunted by artistic challenge at least once a day you're dead," he says.
Got Docs: Space, Land and Time: Underground Adventures with Ant Farm
November 20, 2010
"At that time, a Bank of America was something that you burned down. You didn't want to be designing banks." Those are the words of Chip Lord of Ant Farm, a radical architects collectivewith a "South Park sensibility," whose work during the 1960s and 1970s redefined what architects do. Space, Land and Time: Underground Adventures with Ant Farm is a new documentary by Laura Harrison and Beth Federici that looks back on the escapades of Ant Farm, including their most famous work, Cadillac Ranch.

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Showing videos filed under: art